He’s Watching You

WWII Poster

WWII Poster

The following description can be found at a web site about vintage WWII posters.

In this image, a sinister looking soldier wearing a German Stahlhelm M16 steel helmet surreptitiously peers over a wall at the viewer. Under the Nazi regime, the unique German Stahlhelm M16 steel helmet became an icon of military prowess and national pride, while for the Allies it became a symbol of menacing evil.

“He’s Watching You.”

This striking poster was designed in 1942 by artist Glenn Ernest Grohe (1912 – 1956) for the Office of Emergency Management. It shows the menacing, shadowy figure of a German soldier peering directly at the viewer over a dark wall with contrasting large text: He’s Watching You. This cool caution poster was intended to motivate adherence to the laws and prudence to the wartime rules about secrecy in the industrial sector and the close proximity of enemy eyes and ears.

There were two schools of thought about wartime poster design, “realistic images” and “stylized art”. One school of art and artists believed the posters should be realistic and direct like the print advertisements of the time; this was understandable as many of the war poster artists were of course selected from the advertisement illustration field. This poster is obviously from the “stylized war art” school of thought. The stylized sinister Nazi character closely resembles the creepy Star Wars character Darth Vader. Neither the Nazis nor Darth Vader had yet taken their place in infamy so this early war poster was as it turned out ineffective.

A 1942 government survey conducted by the Office of Facts and Figures of the American public revealed that the poster was often misunderstood. Many people perceived the stylized German Stahlhelm M16 steel helmet as the Liberty Bell, while some factory workers mistakenly believed “he” to be the “boss.” Because of this type of issue, the U.S. Office of War Information (OWI) was created in June 1942 to review and approve the design, content and distribution of government war posters, coordinate the release of war news and information for domestic use and other wartime responsibilities.

Ultimately, two contending groups within OWI clashed over poster design. Those who saw posters as “war art” favored stylized images and symbolism, while recruits from the world of advertising wanted posters to be more like ads. When admen eventually gained the upper hand at OWI, the look of government posters changed decidedly.

Espionage has been with us since early time but the immigrant/melting pot based nature of the United States and our relatively late involvement in World War 2 made 1940s America a lucrative environment for spies and potential saboteurs. Naturally the dangers and concerns of national security intensified when the United States entered the war and America’s overseas military and homeland patriots urgently needed additional protection. The U.S. Government had a great need to alert its’ military and private citizens to the presence of enemy spies and saboteurs lurking in American society.

A major advertising blitz involving all media eventually produced thousands of remarkable “careless talk” type posters to warn people that small snippets of information regarding troop movements or other logistical details would be useful to the enemy and could easily compromise national security and U.S. military personnel’ safety. These vintage 1940s public domain poster images like this one of the Stylized “He’s Watching You” displayed on this page from the Safety and National Security World War 2 Gallery of this website allow you to own a copyright free piece of WWII history, a historic patriotic artwork poster.

Twilight Eyes, a video exploring the idea that this same face exists in the layout of CIA’s New Headquarters Building (and surrounding elements), can be seen here:

For other posters, visit these links:

http://www.war-stories.com/war-posters-wwii-1.asp

http://www.darkroastedblend.com/2010/08/propaganda-posters-of-world-war-two.html

http://www.usmm.org/postertalk2a.html

http://www.usmm.org/postertalk2b.html

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Published in: on August 26, 2010 at 7:38 pm  Leave a Comment  
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Phantom Key in the Water?

A significant clue to solving K3 may be discovered by looking into the whirlpool at the base of the Kryptos Tableau.  Sanborn mentioned in his 1989 letter to CIA Agency employees that he “also uses another symbol; water.  In a small pool on the plaza, partly surrounded by the copper plate, water will be turbulent and provocative…”  He later describes this movement of water as representative of the dissemination of information.  Water is central to the composition of his work.  “…between two massive outcroppings, water will be calm, reflective, contemplative.”

What would one see when peering into the swirling water?  If the surface is reflective, a phantom image would appear inside the well.  Depending on the viewer’s angle, either the Vigenere Tableau or the Kryptos ciphertext would appear as though it were inside this basin.  It would also have the appearance of some force attempting to twist or turn the text.

We now know that k3 is a rotational transposition.  Does this mean an agent in the field would be trained to discover a key or method by peering into water?  Looking into the whirlpool, a tableau appears to start turning.  What is reflected in the calm “reflection pool?”  Is there a key in that coy pond?  Consistent with the theme of Kryptos, the images appearing in the mirror-like surface of water gives the illusion that an alternate space exists below that surface — a space that doesn’t exist except through the antipodes of that which exists above it.  Could the water be drained from these containment areas, no phantom would exist.

K3:

ENDyaHrOHNLSRHEOCPTEOIBIDYSHNAIA
CHTNREYULDSLLSLLNOHSNOSMRWXMNE
TPRNGATIHNRARPESLNNELEBLPIIACAE
WMTWNDITEENRAHCTENEUDRETNHAEOE
TFOLSEDTIWENHAEIOYTEYQHEENCTAYCR
EIFTBRSPAMHNEWENATAMATEGYEERLB
TEEFOASFIOTUETUAEOTOARMAEERTNRTI
BSEDDNIAAHTTMSTEWPIEROAGRIEWFEB
AECTDDHILCEIHSITEGOEAOSDDRYDLORIT
RKLMLEHAGTDHARDPNEOHMGFMFEUHE
ECDMRIPFEIMEHNLSSTTRTVDOHW

Pad to 24 x 14 and rotate clockwise 90 degrees:

DAEGIFWQEWRNDEMGGRBIEHONAOYNRTOI
SONEEDRHSDIDEEETAETIPSHyPHAWDU
TNFTENNaFAOFDEACOESOAHERSENTMTL
ELSIrIDDBIUAASNNMAOMPDAAATYERN
RCHENREAEECDAEWHNHEYCHOGRTHLXTLN
ODTTTYEICEMNSLHLDTOEIWTBNRRSMO
DMAEFEELEEHSGRHSRRTNNPTYETFIITML
BHEIPUOTMTLEABRAUIRLCRFRCWETSED
ANDPTEKEPEEPIRCGSTVULIIREAOEAALED
HMHETFMYTETLOOELSRNOHTNWISIHE
EIORANEHMHLBWCHTATSEYATNLI

Pad into 8 columns, then rotate 90 degrees clockwise again:

SLOWLYDESPARATLYSLOWLYTHEREMAINS
OFPASSAGEDEBRISTHATENCUMBEREDT
HELOWERPArTOFTHEDOORWAYWASREMOV
EDWITHTREMBLINGHANDSIMADEATINY
BREACNINTHEUPPERLEFTHANDCORNERAN
DTHENWIDENINGTHEHOLEALITTLEIIN
SERTEDTHECANDLEANDPEEREDINTHEHOT
AIRESCAPINGFROMTHECHAMBERCaUSED
THEFLAMETOFLICKERBUTPRESENTLYDETA
ILSOFTHEROOMWITHINEMERGEDFROM
THEMISTXCANYOUSEEANyTHINGQ

Published in: on July 3, 2010 at 11:38 pm  Comments (4)  
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Kryptos Employs a Fibonacci Sequence?

Does that CIA Sculpture, Kryptos, employ a Fibonacci Cipher?  Vorlath, a.k.a. “Krazy Kryptos,” has been spinning his Kryptos wheels for some time now.  He proposes at his blog that the misspellings in Kryptos are a clue to be used in conjunction with the misaligned letters of K3.  The position of those misspellings form a Fibonacci Sequence as observed by other sleuths years ago.

What Vorlath suggests is that endYAhR (capital letters depicted here are actually raised letters in the sculpture) is a reversed Fibonacci sequence.  Matter-of-factly, he is correct, and I think the correlation between this and the misspellings is noteworthy if nothing more than one of the hundred thousand insignificant coincidences we could fine in the sculpture.  However, there are other anomalies that suggest “a reverse” of something.  We have the backward ciphertext or tableau.  We have “Antipodes (look up the meaning),” the CIA sculpture’s sister sculpture at the Hirshhorn Museum, and we’re aware of other oddities that may tie a Reverse Fibonacci Sequence into Kryptos.

When Sanborn asked, “Has anyone figured out what those are?  They’re important,” he implied that the misaligned letters could be interpreted with some finality (not to imply certainty) that leads us into the entire algorithm that unlocks the cipher known the world over as K4.  Is, “Yes, Mr. Sanborn, we know what those are.  Now what?” get us any closer to the answers?  I certainly think it’s worth the effort to pursue at this point in time.

Go check out Krazy Kryptos’ recent article: “K3 DYAHR Curiosity

and then peruse the rest of his blog to see the untamed inner-workings of a person who loves puzzles.

The World’s Most Famous Palimpsest

You were thinking Archimede’s palimpsest?  As of this writing, August 6, 2009, you might be correct.  Within a few short days, you will be mistaken.

Ladies and Gentlemen, I can not contain my silence any longer.  I’ve been given the “go ahead.”  Keep an eye on KryptosRevisited.com, because in a few short days a very powerful secret about the CIA’s sculpture, “Kryptos” will be revealed.  Here is what you will learn:

…who it is that made the discovery and why this researcher was chosen to reveal it.

…what, exactly, is buried out there that Langley should know about and after twenty years still does not.

…the meaning of the coordinates and the steganography sought out for so many years.

…what exactly was totally invisible, how it was made invisible, and how it will hereafter forever be made visible.

…what information was gathered and transmitted underground, and where exactly that place is.

…how the earth’s magnetic field was used.

…the ultimate lesson for the CIA that could “change personalities,” cause them to “think less seriously about what is encoded,” and give a new perspective on the history and installation of this world famous puzzle.

…how this may give new insight into what k4 really is and why it has not been solved.

This is, perhaps, the final layer of the puzzle that was likely not meant to be discovered except by a rare chance or occurrence of an event that has not occurred.  This event would be what Jim Sanborn refers to as why Kryptos is slowly unraveling itself.  Fortunately for all of us, we don’t have to wait for this chance event to occur.  I will make it happen, and you will see it clearly for yourself with the aid of skilled manipulation.

The gears are now in motion, and without further announcement, at some future time that is already designated, that truth will be revealed, and the mystic chatter about Kryptos will ensue once again.  Get ready.  This is going to be big.

From the researcher who revealed Leonardo’s masterful encoding of the St. Bartholomew Chalice comes another revelation soon to be the world’s most famous palimpsest.

Kryptos Sculpture in The Wall Street Journal

An excerpt from The Wall Street Journal entitled CIA Sculpture ‘Kryptos’ Draws Mystery Lovers originally published Friday, May 27, 2005 and authored by John D. McKinnon has been referenced in the kryptos.info network: CIA Kryptos Sculpture by Sanborn: Wall Street Journal

The original article can be found at The Wall Street Journal Online and the Pittsburgh Post-Gazette.  The Wall Street Journal lists this article under an alternate title: The Secret Passages In CIA’s Backyard Draw Mystery Lovers

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