Phantom Key in the Water?

A significant clue to solving K3 may be discovered by looking into the whirlpool at the base of the Kryptos Tableau.  Sanborn mentioned in his 1989 letter to CIA Agency employees that he “also uses another symbol; water.  In a small pool on the plaza, partly surrounded by the copper plate, water will be turbulent and provocative…”  He later describes this movement of water as representative of the dissemination of information.  Water is central to the composition of his work.  “…between two massive outcroppings, water will be calm, reflective, contemplative.”

What would one see when peering into the swirling water?  If the surface is reflective, a phantom image would appear inside the well.  Depending on the viewer’s angle, either the Vigenere Tableau or the Kryptos ciphertext would appear as though it were inside this basin.  It would also have the appearance of some force attempting to twist or turn the text.

We now know that k3 is a rotational transposition.  Does this mean an agent in the field would be trained to discover a key or method by peering into water?  Looking into the whirlpool, a tableau appears to start turning.  What is reflected in the calm “reflection pool?”  Is there a key in that coy pond?  Consistent with the theme of Kryptos, the images appearing in the mirror-like surface of water gives the illusion that an alternate space exists below that surface — a space that doesn’t exist except through the antipodes of that which exists above it.  Could the water be drained from these containment areas, no phantom would exist.

K3:

ENDyaHrOHNLSRHEOCPTEOIBIDYSHNAIA
CHTNREYULDSLLSLLNOHSNOSMRWXMNE
TPRNGATIHNRARPESLNNELEBLPIIACAE
WMTWNDITEENRAHCTENEUDRETNHAEOE
TFOLSEDTIWENHAEIOYTEYQHEENCTAYCR
EIFTBRSPAMHNEWENATAMATEGYEERLB
TEEFOASFIOTUETUAEOTOARMAEERTNRTI
BSEDDNIAAHTTMSTEWPIEROAGRIEWFEB
AECTDDHILCEIHSITEGOEAOSDDRYDLORIT
RKLMLEHAGTDHARDPNEOHMGFMFEUHE
ECDMRIPFEIMEHNLSSTTRTVDOHW

Pad to 24 x 14 and rotate clockwise 90 degrees:

DAEGIFWQEWRNDEMGGRBIEHONAOYNRTOI
SONEEDRHSDIDEEETAETIPSHyPHAWDU
TNFTENNaFAOFDEACOESOAHERSENTMTL
ELSIrIDDBIUAASNNMAOMPDAAATYERN
RCHENREAEECDAEWHNHEYCHOGRTHLXTLN
ODTTTYEICEMNSLHLDTOEIWTBNRRSMO
DMAEFEELEEHSGRHSRRTNNPTYETFIITML
BHEIPUOTMTLEABRAUIRLCRFRCWETSED
ANDPTEKEPEEPIRCGSTVULIIREAOEAALED
HMHETFMYTETLOOELSRNOHTNWISIHE
EIORANEHMHLBWCHTATSEYATNLI

Pad into 8 columns, then rotate 90 degrees clockwise again:

SLOWLYDESPARATLYSLOWLYTHEREMAINS
OFPASSAGEDEBRISTHATENCUMBEREDT
HELOWERPArTOFTHEDOORWAYWASREMOV
EDWITHTREMBLINGHANDSIMADEATINY
BREACNINTHEUPPERLEFTHANDCORNERAN
DTHENWIDENINGTHEHOLEALITTLEIIN
SERTEDTHECANDLEANDPEEREDINTHEHOT
AIRESCAPINGFROMTHECHAMBERCaUSED
THEFLAMETOFLICKERBUTPRESENTLYDETA
ILSOFTHEROOMWITHINEMERGEDFROM
THEMISTXCANYOUSEEANyTHINGQ

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Published in: on July 3, 2010 at 11:38 pm  Comments (4)  
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Details of the Room Within

Details of the room within emerged from the mist x can you see anything Q?

-k3

Details of the room within emerged from the missed X?  The missed X, when put back in, reveals “Layer Two.”  Can you see anything Q?

A mask layer with holes at the X’s reveals an answer to this question when placed over the breached Q in the upper left-hand corner.  The underlying characters are YES QQQ.

Can you see anything Q? Yes QQQ.

This masking technique may explain why K2 is worded so strangely — the official explanation being that it was designed to sound like a Morse Code transmission.  Could it be that k2 was forced after a mask was used to position characters at certain locations in the ciphertext?

Secret Theories

Jim Sanborn said,

“The greatest chart we have for decoding is the Rosetta Stone.  Cracking that code gave us the ability to understand an ancient language.  What the CIA does now, as far as encoding and decoding, is a very similar kind of sleuthing: word sleuthing as opposed to physical sleuthing.”

Word Sleuthing.

The Rosetta Stone had a single text inscribed three times in multiple languages.  Knowing the first two provided a means of interpreting the last.  Imagine, conversely, inscribing a single text once with multiple meanings.  If one could hide the meaning, or the existence of alternate meanings, we would be confronted with steganography.  If those words were reused with different meanings, we would have a palimpsest.  A palimpsest of word meanings.  Words reused.

Ed Scheidt discusses with Nova ScienceNow how the art of steganography is hiding the notion that a secret message exists at all.

Word sleuthing.

“Between subtle shading and the absence of light lies the nuance of illusion.” means: Between my ambiguity in word meanings and your ignorance of my technique, you are deceived into interpreting the deciphered Kryptos text at face value.

“Of the part that’s been decoded already there is certain ambiguity in the last few sentences and it’s been open to interpretation, as has the whole piece.” – Jim Sanborn.

Howard Carter’s journal means something different too:

“Slowly, disparately (sp?) slowly, the remains of passage debris that encumbered the lower part of the doorway was removed…”

http://www.youtube.com/watch?v=mhHFXRQgCPo

The ciphertext is considered a passage of text.  K4, the unsolved part of Kryptos, is debris, and it is to be removed.  This is why all attempts at cracking K4 has failed.  K4 does not exist as 97, 98, or even 100 letters.  K4 does not exist in the text at the bottom of the sculpture. However, the text isn’t simply to be disregarded as useless debris.  Even debris comes from something once constructed!  There is an algorithm of applying that text as a tableau grid over the oddly-worded K2 (and other sections) to create a null cipher. A cipher where overlapping characters are removed. Those letters are passage debris, and ultimately, debris gets removed.  It gets discarded.

Identify the debris.

“When you use the last part and you get the solution you should take out all the spaces and run [the remaining characters] all together.” – Jim Sanborn (2009) (in response to an inquiry as to whether or not he would acknowledge a solution posted online.  See Null-Cipher Theories posted in dozens of forums since 2004)

“With trembling hands, I made a tiny breach in the upper left-hand corner…” refers to the raised letters of the K3 ciphertext.

A breach, as in a break-through.  A breach, as in a discovery.  A breach, as in compromising a relatively secure system — those raised letters in the upper left-hand corner of “Layer Two.”

“And then, widening the hole a little, I inserted the candle and peered in…” means:  We apply the Null Cipher Technique.  We shed light on the true meanings of the deciphered text.

“The hot air escaping from the chamber caused the flame to flicker…” could imply a chamber of people — officials, perhaps — an organization.  A flame is a criticism or violent, intense passion.  The flicker harks back to the raised letters as actual, physical portions of the new text as a guide (or grain of Kryptos Sand).

“‘Kryptos brought me back to my first love. Like my childhood programming days, I was once again free to pursue a challenge that didn’t have the limitations of ‘this is how to do it’,” Phillips told The Guardian in 2005.  (continuing) “Mr Sanborn admits he would feel a tinge of regret if Kryptos is solved.”

Regret that people finally figured out his puzzle?  Regret for what the message says?  Perhaps a flame against the CIA?

“But presently, details of the room within emerged from the mist.”  Mist is an ambiguous term that implies something obscured or hidden from meaning or view.  In context, it means “a hidden document.”

“I’ve made a statement which is straightforward, but that leads to something else. There’s another deeper mystery. As you peel off a layer of an onion, the myst – you get closer to the heart of what it is. And so y’know I just wanted to make it…  you had to go deeper and decipher something else. It’s in English, it’s in plain English, it’s in text, and you can read it, but that isn’t necessarily the whole story.” – Jim Sanborn

“Can you see anything?”

It is certain that we could be understanding the real power of art and Sanborn’s disposition as a Natural Scientist toward certain philosophies of institution.

“[The sculpture] could corrupt, somehow…” – Jim Sanborn.

“Just knowing Jim – in talking to Jim, he has philosophies that he would like to portray, and this is a medium for him to do that.” – Ed Scheidt

Details of this theory forthcoming.

Gary Warzin’s Palimpsest Theory

Gary Warzin’s 2001 Palimpsest Theory has been reproduced as a permanent mirror (in memoriam) at KryptosRevisited.com!

Discover how this Kryptos enthusiast used Jim Gillogly’s CIA Sculpture report in conjunction with Simon Singh’s “The Code Book” to develop a theory about K4.  Warzin claims that Kryptos is a physical palimpsest with underlying alphabet characters from the Vigenere Tableau peeking through.

http://www.kryptosrevisited.com/sculpture/solutions/gary-warzin.asp

The World’s Most Famous Palimpsest

You were thinking Archimede’s palimpsest?  As of this writing, August 6, 2009, you might be correct.  Within a few short days, you will be mistaken.

Ladies and Gentlemen, I can not contain my silence any longer.  I’ve been given the “go ahead.”  Keep an eye on KryptosRevisited.com, because in a few short days a very powerful secret about the CIA’s sculpture, “Kryptos” will be revealed.  Here is what you will learn:

…who it is that made the discovery and why this researcher was chosen to reveal it.

…what, exactly, is buried out there that Langley should know about and after twenty years still does not.

…the meaning of the coordinates and the steganography sought out for so many years.

…what exactly was totally invisible, how it was made invisible, and how it will hereafter forever be made visible.

…what information was gathered and transmitted underground, and where exactly that place is.

…how the earth’s magnetic field was used.

…the ultimate lesson for the CIA that could “change personalities,” cause them to “think less seriously about what is encoded,” and give a new perspective on the history and installation of this world famous puzzle.

…how this may give new insight into what k4 really is and why it has not been solved.

This is, perhaps, the final layer of the puzzle that was likely not meant to be discovered except by a rare chance or occurrence of an event that has not occurred.  This event would be what Jim Sanborn refers to as why Kryptos is slowly unraveling itself.  Fortunately for all of us, we don’t have to wait for this chance event to occur.  I will make it happen, and you will see it clearly for yourself with the aid of skilled manipulation.

The gears are now in motion, and without further announcement, at some future time that is already designated, that truth will be revealed, and the mystic chatter about Kryptos will ensue once again.  Get ready.  This is going to be big.

From the researcher who revealed Leonardo’s masterful encoding of the St. Bartholomew Chalice comes another revelation soon to be the world’s most famous palimpsest.

Totally Invisible? Tally I*N*V*I*S*I*B*L*E

Wondering if some of our word spacing could be altered for more clues.  Remember the plain text doesn’t have spaces.

HOWS THAT POSSIBLE?  IT WAS TOTALLY INVISIBLE.

HOW’S THAT POSSIBLE? IT WAS TO TALLY IN VISIBLE.

Tally invisible?  The Morse Code?  Just a thought, nothing more.  My point is that maybe we haven’t selected the right word spacing throughout the known plain text.  Who was responsible for it?  It may have been overlooked in the excitement of someone having discovered the plain text in the first place.  I’m checking on other possibilities…

Should also mention that if X’s are periods as Sanborn claims, why are there so many places where X’s don’t terminate a sentence?!  Pay attention to those X’s!  You heard it here.

Sanborn’s Sculpture Kryptos in David Stein’s CIA Report

CIA Agent David Stein’s Internal Report details the methods used to decrypt the first three of several encryptions on James Sanborn’s Kryptos Sculpture.  The original document released internally to the CIA has been reproduced on the kryptos.info network, and an exclusive reconstruction has been been made available for download as a pdf.

Original details of this document can be found at Elonka Dunin’s Mirror Archive.

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